Classic

Classical String Quartet

String Quartet Violin Quartet
Classic
Classical String Quartet
Four professional and first-class musicians with many years of experience in major international orchestras (Berlin German Symphony Orchestra, Moscow Philharmonic Orchestra, Berlin Symphony Orchestra, Berlin Philharmonic Chamber Orchestra, Berlin Symphony Orchestra) bring you a very personal event. Elegant Feeling.
Whether for business or private occasions, whether in a salon or at the big station, whether day or night, as a very special gift: the quartet will satisfy your musical desire and make your event a unique, dreamlike and unforgettable event. With our extensive repertoire in the areas of classical music, jazz, swing and latin we will meet even the highest musical demands.

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Musik-Klassik-Filmmelodien
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String Quartet – Violin Quartet From the Viennese classical period to the present, the string quartet consisting of two violins, viola and cello has been the most important genre of chamber music. The term string quartet refers to an ensemble (quartet) and a musical genre or the resulting works. The string quartet originated in the baroque trio sonata in the second half of the 18th century; in Italy there are small symphonies, sonatas and concertos, and in German-speaking countries quartets. A characteristic feature of this genre is that although the quite traditional instrumentation of viola and cello corresponds to the complete string section of the Italian and German baroque orchestras, the bass part is not supplemented by continuous chordal instruments such as the harpsichord. This made it possible for the solo performer to play more and more equal parts at a high technical level, in which the cello part was no longer used merely as a bass line instrumental accompaniment, but to maintain solo passages as well as the middle sound. In the course of time this eventually led to the distinction between orchestral and chamber music sport. This first-rate school was founded almost simultaneously by Joseph Haydn in Vienna in the late 1750s and Luigi Bocherini in Milan around 1761 (the date of composition of his first string quartet). A few years ago Georg Philipp Telemann and Matthias Georg Monn presented works for a typical string quartet instrumentation. Boccherini’s quartet style quickly became popular after his works were published in Paris in 1767. It is characterised by a skilful and highly sensitive treatment of string music, rather gentle, sensitive emotions and a rather formal openness (in terms of quantity, sequence of movements). In terms of content, Haydn is more jokes and counterpoint tricks, formally full of experimental fun, but quickly standardized (with models). Although obviously different, the two composers’ quartets are not totally opposed, so they are known to respect each other, and Bocellini also drew inspiration from Haydn’s work. Both masters had influence in their lives on the quartet works of their contemporaries, and Bocherini created a more Romanesque style of quartet, represented by Giuseppe Compini, Gaetano Brunetti, Giovanni Battista Viotti and the French composer Jacinte Jardin, etc.; Schubert also accepted Boccherini and Jadin’s suggestions. In Paris, composers like Goseke called the quartet a “quartet concerto” instead of always being a true concerto-style quartet in which one (or two) instruments passed a certain mastery (mainly the first violin) shine or dominate. The quartets of the two composers, while obviously different, are not totally opposed, hence known for their mutual respect, and Bocellini also drew inspiration from Haydn’s works. Both masters influenced the quartet works of their contemporaries in their lives. Pocherini created works based on Giuseppe Compini, Gaetano Brunetti and Giovanni Battista. – Viotti and the French composer Yacinte Jardin represented a more Romanesque quartet, and Schubert also followed the suggestions of Boccherini and Jadin. In Paris, composers such as Goseke refer to the quartet as a “quartet concerto” rather than a true concertante quartet, in which one (or two) instruments dominate to some degree (mainly the first violin ).

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Artist agency Berlin

0049 - 33203 - 820910

foeldessyentertainment@gmail.com

00491723836680

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Request now!

CONTACT US

Give us a call and we will provide you with suggestions for artists, process design, decoration, location and technology.

Artist agency Berlin

0049 - 33203 - 820910

foeldessyentertainment@gmail.com

00491723836680

Contact

Contact

Request now!

CONTACT US

Give us a call and we will provide you with suggestions for artists, process design, decoration, location and technology.

Artist agency Berlin

0049 - 33203 - 820910

foeldessyentertainment@gmail.com

00491723836680