Comedy, cabaret clowns, circus performance

Non verbal comedy

Nonverbal comedy pantomimes
Comedy, cabaret clowns, circus performance
Non verbal comedy
Non-verbal comedy high pantomime art trained at the Mime School in Kiev .How can a typical clown face on stage so much atypical nonsense? The clowns can do this and more. Creativity is like the devil, funny, extraordinary and skillful. Also the clowns have won many awards and have appeared on almost all variety shows in the world, driving the audience crazy

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Genre

Comedy, Pantomimen, Clowns, Kabarett
IMPRESSIONS

Comedy, Pantomime, Clowns

Her career has enabled her to take part in variety shows from Berlin to Sydney. Her stories are full of malice and black humour. When they bounce on stage or topple over like wooden planks, they remind us of comic characters. But this duo from Russia always remains funny and sweet. Clowns are artists whose main art is to make people laugh. The word “clown” comes from an English term meaning “peasant fool” (16 . An obsolete term used mainly in dialects is Pajass, Bajazzo (via French Paillasse from Italian Pagliaccio). The image of the clown was developed from the servant image Zanni in “art comedy”, which can be traced back to similar characters in Greek and Roman comedies. From the early 16th century, clowns appeared in British dramas during intermissions to entertain the audience. In the 16th century, Arlecchino (later Harlequin, Hansurst), Pedrolino (later Pierrot), and Pulcinella appeared in commedia dell’arte in Italy. These characters, especially Pagliaccio, whose name became the Romance term for modern clowns,[6] were further developed by Molière in the 17th century and by Goldoni in the mid-18th century. Since the 16th century, the corresponding German acting character has been called “Hanswurst”. Around 1750, the actor Franz Schuch once again approximated his Hanswurst to an Italian-French harlequin. In 17th century England, a genre inspired by comedy, the clown played the harlequin’s cheeky adversary. The character appears as a clown in two of Shakespeare’s plays: a servant in Othello (1603) and a foolish shepherd in The Winter’s Tale (c. 1610). Modern clowns can be found in vaudeville performances, especially in circuses. It all started in the second half of the 19th century, in a play circle full of sawdust Philip Astley (Philip Astley) made a scene for the clown. This was originally used for comic art on horseback (hence the round shape). Subsequently, horse comics evolved into the following content, such as in “Scènes de Manège” or “Two Englishmen on Horseback”. With the establishment of permanent venues (Olympic Circus, Medrano Circus, Honeycomb Circus), the performance of clowns also changed. Clowns perform mainly in the form of pantomimes, staggering awkwardly around the ring, falling and being kicked while interacting with other clowns. This has shown similarities to our current circus clowns: displaying a messy disarray, wanting to step out of the “dangerous” door, looking curiously at the barrel of the gun, or sometimes out of hunger. With all these gestures, the clown crossed the taboo boundaries of society and became a mockery of reality. Therefore, the circus with clowns represents the whole culture and all its reduced models of irrationality and irony

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Artist agency Berlin

0049 - 33203 - 820910

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00491723836680

Request now!

CONTACT US

Give us a call and we will provide you with suggestions for artists, process design, decoration, location and technology.

Artist agency Berlin

0049 - 33203 - 820910

foeldessyentertainment@gmail.com

00491723836680

Contact

Contact

Request now!

CONTACT US

Give us a call and we will provide you with suggestions for artists, process design, decoration, location and technology.

Artist agency Berlin

0049 - 33203 - 820910

foeldessyentertainment@gmail.com

00491723836680